We are a trusted on-ground technical freelance corporate videographer and video production (DP) partner for international & national production houses, media agencies, and corporate brands. Count on us for cinematic and world-class production support in India!Â
We shoot, you edit.
Pankaj Aneja is a senior freelance cameraman based in Delhi, serving clients pan-India with 15 + years of experience shooting for international & national productions. We serve as your technical team for projects that require meticulous and precise work. We act as your eyes and ears on the ground.
We deliver clean, cinematic footage that fits easily into your editing process. Whether you need a corporate interview, a cameraman for shooting B-roll, a cameraman for a documentary, or a full multi-camera setup for a podcast or an event in India, we handle the technical work while you stay focused on the creative side.
Hiring a remote crew in India is often stressful. Will they understand your visual language? Can they adapt when the location changes at the last minute? What about safe data management?
These concerns are common in global productions. We’ve spent 15+ years building a dependable system. The crew that international agencies actually trust for technical and production excellence.Â
If you need capturing shots of Delhi’s architecture, industrial footage across India, or tech campus coverage in Bangalore, Gurugram, Mumbai, Pune, or Hyderabad, look no further than DP Pankaj Aneja, the best freelance cameraman/videographer in India to support overseas production companies and Indian media agencies.
Great footage comes from paying attention to the details most people overlook. To achieve this, our specialised services focus on capturing every shot perfectly. We don’t just press record; we understand lighting, composition, and audio dynamics.
We help executives look confident on camera with natural lighting and clean audio. Whether you want a cinematic look or a bright commercial style, we match your brand’s visual tone.
What you get: clearly labelled takes, backup audio, eyeline options, and small fixes that save editors hours.
Good b-roll isn’t random—it’s planned. We don’t just point and shoot.
With our mirrorless DSLR cameras, we capture relevant shots to tell corporate stories, industrial locations across India, and tech campuses in cities like Bangalore, Gurugram, Delhi, Noida, Mumbai, Pune, and Hyderabad with smooth, cinematic movement.Â
We shoot at high frame rates for b-roll (50-60fps/100-120fps) and plan every shot with screen direction, variety, and story flow in mind. We capture cinematic movement using gimbals to add production value to your narrative.
The difference: We focus on b-roll that adds depth and supports the story.Â
Camera Body: I personally use Fujifilm’s Mirrorless DSLR H2S camera body with a smallrig camera cage. It has a stacked sensor for faster readouts and fast focusing with 6K format capabilities with CF Express cards. Another Camera Body XT3 for backups.
Lenses: a few lenses, prime & standard zooms with ND filters, polariser & diffuser lens. 8 mm, 10-24 mm, 18-55 mm, 23 mm, 50 mm, 50-140 f2.8 mm tele etc.Â
Lights: Professional Video COB lights from Godox, from wired 150-watt lights to battery-operated 60-watt lights and on-camera mini LED light with multiple Godox AD300 & AD200 pro for stills with various soft boxes and diffuser umbrellas and bounce reflectors.
Audio: Wireless dual & single mic, wired lav collar mic from Hollyland Max and Rode. Zoom H-5 for a direct audio recording option.
Support system: DJI Ronin Gimbal, Slider, Travel-friendly tripods and monopod, tall light stands, steady & professional tripods for video & photos by Manfrotto & E-image.
Data Storage: MacBook Pro & SSDs for on location data backups, Mac Studio workstation & high-speed internet at my studio.
Equipment we can hire on your request: Sony FX6, FX9, FX3 | Zeiss & Sony G-Master Lenses, Sennheiser Wireless Audio, Sennheiser MKH 416 Boom mic | Aputure Lighting Systems, Professional Teleprompter etc.
Drone: We can arrange DGCA Certified Drone Pilot and direct him for the visuals we want.
With 15+ years behind the lens, Pankaj Aneja is your trusted technical partner.
"My goal is simple: deliver a perfect visual content that makes your editor smile. Clean audio, perfect exposure & lighting, and coverage variety that support your story."
If you’re a producer or creative agency in India or abroad, you need a freelance cameraman in India—me, Pankaj Aneja—who delivers broadcast-quality footage to simplify coordination for international teams
Let’s discuss your project requirements, location challenges, and technical specifications. We’ll provide a detailed quote with gear list, crew breakdown, and timeline within 24 hours.
Call / WhatsApp: +91 98110 85472Â
Email:Â contacts@shrihariproductions.com
Frequently asked questions
Yes. Share your style guide, LUTs, and references—we will match framing, lens choice, colour profiles, and lighting. Camera tests can be done in advance.
For agency partners, we typically deliver Raw Footage via hard drive or cloud upload. However, if you need editing, we have an in-house post-production team as well.
Yes. We are a scalable team. We can provide a solo freelance videographer to a full team (sound, gaffers, grips, makeup, PAs)—we assemble trusted professionals under one point of contact.
We charge standard day rates plus travel, accommodation, and per diems at actuals. We’re fully travel-ready for assignments across India.
50% to book, 30% on shoot day, 20% before final data release. Travel costs: 100% advance. Payments via bank transfer (SWIFT).
Storage on SSDs, multiple backups, strict NDAs, and no sharing of footage on our portfolio without your approval.
Over 7 days: refund minus 10% fee. Within 7 days: 50% refund. Within 48 hours: non-refundable. Rescheduling within the same month is free.
Yes. We can hire line producers who can handle scouting, obtaining police clearances, government permissions, and private-property approvals, all with full documentation.
We carry backups for all critical gear, including cameras, lenses, batteries, and media. We’ve never lost a shoot day to equipment failure.
We deliver media ready for Premiere Pro, Final Cut with camera native file formats with all metadata.
